Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their hist...(展开全部)

Chinese martial arts novels from the late nineteenth century are filled with a host of suggestive sounds. Characters cuss and curse in colorful dialect accents, vendor calls ring out from bustling marketplaces, and martial arts action scenes come to life with the loud clash of swords and the sounds of bodies colliding. What is the purpose of these sounds, and what is their hist...(展开全部)

This title explores the curiosity and collaboration that has existed between East and West for centuries. The striking illustrated books, maps, and prints featured in China on Paper are some of the most notable among the printed works produced at the dawn of the era of global trade to present China to Europe and bring Western science, religion, and art to China. From a Chinese ...(展开全部)

Women entered the book trade in significant numbers in China during the late 16th Century, when it became acceptable for women from 'good families' to write poetry and seek to publish their collected poems. At about the same time, a boom in the publication of fiction began, and semi-professional novelists emerged. This study begins with three case studies, each of which probes ...(展开全部)

In the last two decades, China has become a dramatically more urban society and hundreds of millions of people have moved residence in the process. Family and communal bonds have been broken in a country now known as "a society of acquaintances." There has been a resulting breakdown of civility and trust in contemporary China, and the new market economy doesn't offer any soluti...(展开全部)

In the last two decades, China has become a dramatically more urban society and hundreds of millions of people have moved residence in the process. Family and communal bonds have been broken in a country now known as "a society of acquaintances." There has been a resulting breakdown of civility and trust in contemporary China, and the new market economy doesn't offer any soluti...(展开全部)

桑德拉•吉尔伯特（Sandra M. Gilbert）、苏珊•古芭（Susan Gubar） 均为西方女权主义和女性主义文学研究领域颇具影响力的学者。她们是当代美国女权主义文学批评的创始人之一。两人长期合作，撰写了《阁楼上的疯女人》《诺顿女性文学选集》《没有男人的地带》等女权主义批评论著。 杨莉馨 南京大学文学博士。现任南京师范大学文学院教授、博士生导师，主要从事英美文学、女性文学及中外文学关系研究。已出版学术专著《西方女性主义文论研究》《异域性与本土化：女性主义诗学在中国的流变与影响》《20世纪文坛上的英伦百合：弗吉尼亚•伍尔夫在中国》《“我的河在向你奔来”：20世纪英语女作家在中国》等；译著有《葛特露和克劳狄斯——〈哈姆莱特〉前传》《通过身体思考》《阅读日记：重温十二部文学经典》《文尼莎与弗吉尼亚》等。

Nominated for 1979 National Book Critics Circle Award in Literature (on the earlier edition). Runner-up for the 1980 Pulitzer Prize in General Nonfiction. This pathbreaking book of feminist criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal wa...(展开全部)

Nominated for 1979 National Book Critics Circle Award in Literature (on the earlier edition). Runner-up for the 1980 Pulitzer Prize in General Nonfiction. This pathbreaking book of feminist criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal wa...(展开全部)

"A feminist classic."—Judith Shulevitz, New York Times Book Review “A pivotal book, one of those after which we will never think the same again.”—Carolyn G. Heilbrun, Washington Post Book World A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent gener...(展开全部)